Catching up on MediaPolicy – CBC’s missing $200M – The Six Billion Dollar news subsidy – The Hub says Yes to news subsidies – the nihilism of activist journalism – are paid news subscriptions enough for civic dialogue?

“Six billion dollars”

May 10, 2026

There’s no other way to say it. It was a goofy week for Canadian media policy.

On Tuesday, cabinet minister Marc Miller popped up at the Commons Heritage Committee. MPs wanted to hear from him before voting on the government’s main budget estimates for 2026-2027.

At last someone put him on the spot about the Liberals cutting nearly $200 million from the CBC just a few months after delivering on Prime Minister Carney’s signature election promise of adding $150 million to the $1.4 billion parliamentary grant. 

In response to Conservative MP Bernard Généroux’s sardonic admiration of the government’s sleight of hand, Miller replied (in this Google translation):

With all due respect, Mr. Généreux, I think one needs to better understand how budget estimates are made. We see an immediate picture of CBC/Radio-Canada’s funding profile, but that doesn’t factor into the subsequent bailout estimates. It’s a flawed equation to say we’re giving 150 to take away 200. This is part of the budget cycle.

Silly Opposition MPs. Don’t they know about the double-tap of Supplementary budget estimates that often follow the Main Estimates? 

By the way, the French word Miller used was “renflouement,” translated as “bailout” or “refloating.” Or perhaps it means “later, when we can make a favourably timed announcement of more money for the CBC in a Supplementary Estimate .” 

The committee’s attention then turned to the government’s recent announcement in the Spring Economic Update that it will hold public consultations on extending the federal QCJO journalism labour tax credit to broadcasting companies. Making the government’s intentions known, the minister said, “it’s how, not if.”

One salacious policy hint he dropped: the government expects a discussion of a subsidy ceiling on the largest broadcasters in favour of smaller ones. 

Then Miller said an odd thing (twice, so not by accident): the additional cost of the expanded program would be $6 billion dollarsThat’s 100 times the cost of the existing QCJO program for print media.

By the time his interlocutor, Bloc MP Martin Champoux, followed up on that eye-popping number, Miller had left the committee room.

As you might expect, the Twittersphere went off like a Roman candle. Six. Billion. Dollars. Try to imagine Mike Myers’ Dr. Evil delivering that line.

Two days later, Miller ‘fessed up in an X post saying he misspoke. He had mixed up the $75M per year journalism labour tax credit for print media with the $1 billion per year budget for federal film and television productions tax credits (over the next six years, ergo the $6 billion figure). 

Okay. Happens all the time.

So what might be the cost of a program for supporting broadcast news? Grabbing the nearest napkin and pen, I came up with a number somewhere between $82 million and $115 million. Let me show you my math:

To begin, the program cost of the federal labour tax credit is driven by journalist headcount based on 35% of journalist wages on the first $85,000 of salary. 

Going to the best available source for headcounts, the news producer head count for the Google funds distributed under the Online News Act by the Canadian Journalism Collective, expressed as full-time equivalents working a 40-hour week, is 3,549 for broadcasting companies and 4,179 for publishers. Bottom line: the broadcasting headcount is 85% of print journalists, a figure I need for this arithmetic.

As for a hypothetical broadcasting program cost fixed as an 85% percentage of the known costs of federal print media subsidies, you need to first establish the combined cost of labour tax credit for print journalists at daily newspapers ($75M), Aid to Publishers for community weeklies and magazines ($71M), another program for free distribution weeklies ($13M) and the Local Journalism Initiative (LJI) for 700 additional reporters in local media ($20M, although not all in print media). It adds up to $179M for print media journalists. 

But there’s a caveat to that $179M figure: the payout in the Aid to Publishers and LJI subsidies are much higher than the 35% wage subsidy in the labour tax credit, although how much higher is difficult to pin down. 

Rough guess of a final print media subsidy? Calculating the total print journalism program costs at an across-the-board 35% wage subsidy spits out a final number of $135M for print media journalists. 

Next step: the broadcasting headcount is 85% of that $135M, leading to an estimated  program cost of $115M for TV and radio news outlets. 

But there’s one final adjustment to the numbers: the existing labour tax credit  is scheduled to fall back from 35% to its original 25% next year, a 29% reduction. If that goes through, the $115 million for broadcasting support drops to as low as $82M. And if a ceiling is put on subsidies to large broadcasters, even further. 

So, not $6 billion, no. 

***

The next goofy thing is ironic, not funny.

I subscribe to The Hub, a commentary and news reporting website that is cerebral in its writing and conservative in its point of view. I listen religiously to its biweekly Full Press podcast.

On Thursday, publisher Rudyard Griffiths informed subscribers that he was abandoning The Hub’s years long refusal to accept QCJO labour tax credits or distributions of Google money under the Online News Act. I estimate the value of the two income streams to his publication at $60,000 annually. Griffiths cited softening advertising revenues and promised to park the cash in a reserve fund.

As he put it, “We are using that latitude to park any payroll subsidies in a segregated “rainy day” fund—available if we ever truly need it, but walled off from day-to-day operations so our journalism doesn’t become dependent on government money. If we ever draw on these subsidy dollars, we will tell you.”

There’s no need for “I told you so’s” here, although Griffiths has been vocal for years in his opposition to journalism wage subsidies, as well as passing judgement on those news organizations that accept them (“the soft, silent takeover of the nation’s press.”)

The Hub’s walk-back dittos the Western Standard which did it in September 2025, also stating it was doing so reluctantly. 

As far as I know, this leaves just two news organizations who could qualify for the labour tax credits (which require ongoing publication of original news content) but make a point of refusing subsidies. 

One is the hyper partisan Juno News. The other is the watchdog news outlet Blacklock’s Reporter which specializes in access-to-documents news reporting on the federal government and, it’s fair to say, offers no quarter to government and expects none. 

***

Moving on, I was distressed reading journalist Shauna Rae’s winning essay for the Dalton Camp Award, juried by Friends of Canadian Media. I’m a long time member of Friends and a volunteer on its policy committee, but I don’t have any connection to the annual writing award that honours Camp, the veteran political strategist who died in 2002. 

You can read Rae’s short piece and evaluate the message in her own words. To summarize, she is of the view that journalists should feel free to report the news as their truth, rather than the truth.

This is hardly a newly minted journalist creed even though I believe it is very much in the minority. 

It’s a call for “openly activist and participatory” (Rae’s words) journalism in the fight against privilege and power, in a binary world of oppressor and oppressed. It feeds directly into identity politics of racial and gender inequality and the dispossession and gross mistreatment of Indigenous peoples; identity politics in the sense that individuals are ascribed membership status as either oppressor or oppressed. Taken to the global stage, it underpins an anti-Israel news narrative. 

Rae’s justification for activist journalists throwing off the shackles of objectivity is that no such thing as objectivity exists. 

Objectivity may be the world’s biggest straw man. Outside of university seminars dwelling upon political theory I don’t think I’ve ever met anyone, let alone a journalist, who posits the existence of objective truth. The overwhelming majority of journalists (that I’ve ever met) adhere to the journalist creed of “pursuing the truth” while practicing professional norms of fairness and accuracy in fact gathering.

But, fill your boots with openly activist and participatory journalism if you wish. It’s a free and independent press that allows Rae and any other journalists to wear the activist mantle if they choose. Their work will be judged on its merits.

What disturbs me so deeply—and I know this will sound harsh— is the intellectual nihilism behind the activist creed. It’s the idea that in the absence of indisputable objectivity that anything goes. It’s the idea that you can defend any news reporting narrative as fair and deserving of credibility no matter how closely it operationalizes the writer’s agenda for making change in the world. 

Mostly it disappoints me because that’s not how change happens. And do we ever need change.

***

At the risk of making this weekly update too long, there is another item that I didn’t want to go stale.

It’s a survey conducted by the Media Insights Project on where Americans get their news and whether they pay for it. That has implications for how much emphasis we Canadians might put on public policy subsidizing paid news subscriptions as a reliable delivery vehicle for reporting on current events to a broad based democratic polity. It’s an issue that Senator Andrew Cardozo and I raised in our recent report, “Making News Media Sustainable.”

A key conclusion in the survey was “the majority of Americans — 7 in 10 — access a paid media service of some kind, even if they don’t pay for it themselves.”

We already knew that Americans pay for digital news subscriptions at a slightly higher rate than Canadians, which tends to fluctuate between 15% and 20%.

The public policy consequence is that such a low uptake on paid news subscriptions makes it hard to rely on the subscription business model as a comprehensive way of delivering news when so many Canadians are stuck on getting free news (there is data suggesting lower prices of digital news subscriptions don’t tempt people much).

The low uptake on digital news is mitigated by the fact that half of Canadians live in a household with access to a cable TV package that includes news channels (alas, news is a serious money loser for television networks).

The Media Insights survey’s conclusion that “7 in 10” Americans have access to “a paid media service” even if they don’t pay for it suggests that young people are watching cable TV or else making liberal use of a streaming password shared by someone else who paid for it. Thanks Mom and Dad.

The asterisk to that “7 in 10” statistic, and the limitation of the survey question’s relevance to news policy, is that it was about paid media services, not paid news media services. There’s this thing called Netflix, you know.

Still, it’s an encouraging set of public policy data on news consumption. Which reminds me to refer you again to the Cardozo-Law study where we recommend the federal government experiment with a generous news voucher program for news subscriptions.

***

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This blog post is copyrighted by Howard Law, all rights reserved. 2026.

Catching up on MediaPolicy – journalism subsidies for news broadcasters ? – Australia lowers price on Big Tech news levy – Age verification bill tabled in House of Commons

AI Image

May 2, 2026

On Wednesday I posted about the new report written by Senator Andrew Cardozo and myself on the future of subsidies for news journalism

One of the not so surprising options we propose is to extend the federal QCJO  journalism labour tax credits to news websites operated by broadcasting companies. The Québec provincial government did it in March with their labour tax credit that parallels the federal QCJO.

Entirely by an accident of timing (promise!), on Tuesday the Carney government announced a public consultation proposing to extend QCJO labour tax credits to “audio and audio visual news production,” which is not quite the same thing as digital news websites operated by broadcasting companies, but close enough. 

Law professor Michael Geist was out of the gate fast opposing public journalism subsidies being paid to major broadcasters, in particular the three owned by telco pantomime villains Bell, Rogers and Québecor. It’s fair to say, Geist won’t be alone on this. 

I have a long winded rebuttal which I will save for later. 

***

AI Image

The Australian government has taken the next step in responding to Meta’s refusal in March 2024 to reboot news licensing agreements under the News Media Bargaining Code (NMBC). The 2021 NMBC legislation was the prototype for Canada’s Online News Act.

To counter Meta’s exit from news licensing agreements, the Australian government announced in December 2024 that it would replace the NMBC with a News Bargaining Incentive (NBI). The key provision in the proposed NBI is a default cash levy on Meta, even if it tries to elude payments by banning local news. The NBI news levy would be reduced by any licensing deals struck between tech platforms and news outlets. It also would extend the levy net to catch TikTok, in addition to Meta and Google.

The calendar months have flipped by and it was not until this week that the Australian government at last announced the next step for the NBI, a public consultation.

The most newsworthy item in the announcement was the proposed price point for the cash levy: 2.25% of a company’s Australian revenues.

At first glance, that number suggests a climb down from an old levy rate of 4% of revenues that in 2021 generated $190 million in annual licensing payments by Google and Meta. The de facto 4% figure was identified by reverse calculation back in September 2023 by Canadian officials commenting on the monetary value of the 2021 Australian deals with Google and Meta.

Canadian officials said at the time that applying the Australian 4% target under our Online News Act would mean Canadian outcomes of $172 million from Google and $62 million from Meta. When Ottawa finally settled in December 2023 with Google for $100 million instead of $172 million, that converted the Canadian 4% into 2.32%.

Which is awfully close to the 2.25% proposed now by the Australian government.

But the lower Australian levy rate is still intended to produce the same $190 million contribution outcomes from 2021 because the legislation adds TikTok revenues and reflects the growth of Google and Meta revenues in the last five years.

Back in Canada, it’s unclear what Ottawa is going to do about the Meta ban on mainstream news (going forward I am calling it “Meta’s mainstream media ban” as it’s now clear that Meta permits certain Canadian news outlets to post on Facebook and Instagram provided these outlets sign off that they are not, or would not be eligible for federal QCJO labour tax credits or a share of the $100 million in Google money under the Online News Act. Effectively, this means the Meta news ban on Facebook and Instagram targets mainstream Canadian news organizations who produce original news).

This selective news ban gives the peripheral news organizations —whether they behave as honest news outlets or political activists — a leg up on mainstream media in the quest for audience. 

The policy boomerang that smacks mainstream media in the mug, whether you blame Meta or the legislators of the Online News Act for the ban, results in the loss of audience exposure and click-through referrals to news websites.

But there are self-help strategies.

On this, Torstar President Angus Frame appeared before the parliamentary Heritage committee on April 23rd and offered some interesting information. 

In the course of testimony about Big Tech in Canada, Frame said that since Meta imposed the news ban in August 2023 the Torstar chain of dailies and community weeklies has neutralized the loss of referral traffic.

I asked how and his answer, about leaning into web traffic generated by Google Discover and e-mail distribution strategies, is succinct enough to quote in its entirety:

There are always a bunch of variables in the mix, but the simple story looks like this:

In July 2023 (the month before Meta pulled out of news in Canada) our community sites generated 1.6M page views from Facebook referrals. This was typical for the first half of 2023 though the number had been declining since about 2018.

In July 2023 we generated 550K page views from newsletter click-throughs (people visiting from our own newsletters). We had 5.2M page views from Google.

Last month we had 1.55M page views from our newsletters, which almost completely replaces the views lost to Facebook. Google referrals were at 5.1M.

So the way that all came together is this:

-With the Meta ban, we shifted focus to optimizing for Google and in particular Google Discover. This gave us a good recovery heading into 2024 but it has since declined a bit with some reductions in Google traffic.

-Once Google was in better shape, we started to emphasize newsletter growth and newsletter effectiveness. This involved a number of tactics to get more people to sign up for our newsletters, to make sure our newsletters were landing in people’s inboxes properly and to optimize the newsletters (both design and story selection) for the best possible click-through rate. And that gets us to where we are today with newsletter traffic almost completely replacing the lost Facebook traffic. 

And the newsletter traffic is better for us — we have a direct relationship with that audience, they come back to us more frequently and we can continue to grow that audience channel without worrying about algorithm changes or other things that can disrupt the strategy.

***

The Senate Bill S-209 that would introduce age verification to block underage access to porn sites and porn on social media apps has now made its way into the House of Commons.

The Opposition Conservatives always supported S-209 and Saskatchewan MP Rosemarie Falk tabled it in the House for first reading on Thursday.

Now that the Liberals have a majority in the House, don’t expect the bill to get far, even if they find themselves on the wrong side of public opinion on this one.

The door isn’t completely shut. Heritage minister Marc Miller was quoted in the Globe and Mail as saying S-209 “has merit,” the opposite of what the Trudeau PMO used to say.

But Miller appeared to pour cold water on the bill anyway, simultaneously saying that age verification would not be in a Liberal online harms bill while referring the issue, along with the idea of a blanket age ban on social media, to his expert advisory committee.

As part of the debate over child safety and social media, expect the troubling privacy and compliance issues to keep bubbling up to the surface.

There are anecdotal reports of Australian teenagers circumventing the new social media ban in that country.

As well, the technical issues of privacy breaches keep arising, as they just did in Europe. The hacking of adult viewers’ age verification data is a problem that gets bigger depending on where the digital gatekeeping of age verification happens, from the narrow access to online porn sites to universally accessed social media or device operating system sign-ins.

***

Here’s a few things to read that follow up on issues followed in MediaPolicy:

The Paramount sneeze and the Canadian cold: The possibility that a soon-to-be- sanctioned merger between Paramount and Warner Brothers Discovery will sideswipe Bell Media, by cancelling HBO’s exclusive Canadian distribution through Crave, is further off in the future than previously thought. The Globe & Mail‘s Barry Hertz got Bell to talk.

Canadian book publishing: Hugh Stephens has reviewed Richard Stursberg’s Lament for a Literature. Stephens offers his skepticism of Stursberg’s “draconian” proposal for state intervention into the Canadian book publishing market. Knowing Stursberg, he wouldn’t flinch at “draconian” but would argue that drastic measures are required after 40 years of federal neglect.

CanCon: Cartt.ca is publishing Brad Danks’ seven-part series on the future of Canadian content in a small domestic market and a global streaming audience. So far there are two instalments and if you find the first one a little abstract, the second (“why Canadian media keeps missing the upside”) makes his arguments with brevity and persuasion. I won’t give away more than that. 

Journalism standards: Are you a Canadian journalist? Colette Brin of Laval University is shaking your tree to get involved a survey supporting a study on whether there are consensus standards for news coverage that we should be articulating for the industry. If you don’t help, consider your dissenting privileges revoked!

***

Lastly, a magnetic documentary to watch.

CBC is streaming Canadian filmmaker Ric Esther Bienstock’s two-part “Speechless,” profiling the pitched ideological battles staged on American university campuses and inside faculty lounges.

The film got a meh from Globe reviewer Kelly Nestruck, but I found it both riveting and kind of terrifying (after having tuned it all out for years for just that reason).

***

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This blog post is copyrighted by Howard Law, all rights reserved. 2026.

A sustainable Canadian news media: what is to be done? A new report.

April 29, 2026

Today, Senator Andrew Cardozo released his new report “Making News Media Sustainable,” co-authored with yours truly, on future policy options for supporting Canadian news journalism. It’s about subsidies. 

Our project is to put forward new ideas. For discussion. The working assumption is that public support of private journalism is here to stay in one form or another, so what can we offer in terms of continuous improvement? The Senator already put forward his ideas about public support for the CBC in a 2024 report here, so this new report focusses on public support to privately owned news journalism.

Some of our ideas will roil the waters. Just to choose one, we suggest that federal news subsidies should be reduced or eliminated to heavily indebted news organizations (i.e. Postmedia) that are using public money, in whole or in part, to pay off their controlling owners and creditors.

There are other ideas that you might call technocratic, invoking the subtle art of policy design, such as offering news organizations an opportunity to go paywalled, or to stay paywalled, and forego journalist salary subsidies in favour or more enticing subscription tax credits offered to citizens. To work properly, the federal government would have to launch a seriously generous news voucher program for citizens, whether or not they pay taxes. 

Another idea, that we lean on pretty hard, is that the federal government end its arbitrary exclusion of broadcasting companies from accessing subsidies for their news websites that are indistinguishable from the digital operations of print publishers. By coincidence, yesterday the Carney government announced in its Economic Update that the Finance Department will launch a public consultation “to seek the views of Canadians and stakeholders on extending the Canadian Journalism Labour Tax Credit to audio and audiovisual news production.”

We give a lot of attention in the report to the under appreciated history of innovation success in Canadian news journalism, both with respect to digital technology and content strategies. There have been many successes to admire or replicate, both from start-ups and legacy news organizations. One policy idea that emerges from that experience is public funding of innovation-related expenses, such as IT staff salaries. 

We also applaud the gaining traction of non-profit news journalism. It is no silver-bullet to cure all that ails the beleaguered industry. But it clearly can be tapped for greater potential.

One of the challenges to change-management in our sprawling news industry is that we lack a cohesive public policy for supporting news journalism. Policy initiatives have been ad hoc, reactive, and initiated under overlapping jurisdictions of federal government, provincial governments, and the federal regulator, the CRTC. Unsurprisingly, there is no central institute equipped to collect and analyze a broad and deep well of industry data that might guide the best decisions for supporting journalism.

And our closing advice in the 100-page report: the policy solutions for news journalism may not be one-size fits all. We have an array of Canadian news markets where consumers seek or passively consume the news of the day: national, regional, local, by language, by content silo, by platform preference, etc. 

The biggest conundrum, the one that reveals our deepest policy conviction in writing the report, is the enormous gap between the number of Canadians who will pay for news (about 20%) and those who won’t. That 20% number is stubborn: even hypothetically lower paywall prices don’t seem to budge it very far. 

All Canadians vote (well, 68% of those eligible in the last federal election), whether they consume news or not. As the loss of advertising revenue to Big Tech platforms has destabilized news organizations that distribute trustworthy news for free and without a subscription, the threat of a news consumption deficit becoming a democratic deficit is something that only the naive would avoid looking straight in the eye.

Finally, we have a lot to say about the connection between public trust and public subsidies to news journalism.

We don’t subscribe to the idea that a penny of subsidies means a pound of distrust: the healthy and unhealthy skepticism expressed around the world about news media is powerfully influenced by many things other than subsidies and, for example, is far more profound in the United States where there is precious little subsidy of news journalism. Regardless, care must be taken regardless by making greater efforts to make the gatekeeping of Canadian news subsidies arm’s length from the government. 

The report begins with a brief executive summary. It’s followed by a landscape review of subsidy programs, a comparison to policy initiatives in non-Canadian jurisdictions, and then an extended series of policy issues inviting you to engage in the debate over what is to be done.

***

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When you’re the last to know.

AI Photo Illustration

April 25, 2026

We, the people, were the last to know.

On Thursday, CBC president Marie-Phillipe Bouchard told Heritage committee MPs the $150 million increase in the public broadcaster’s parliamentary grant for 2025 was “temporary.”

In fact, she said in response to a question from Bloc MP Martin Champoux, “we knew it was temporary.”

Bouchard’s answer is a revelation because, until the Carney government published its Main Estimates for the 2026-27 federal budget, neither the Prime Minister nor the author of the 2025 federal budget that included the $150 million, Finance minister François-Phillipe Champagne, told the public that the new CBC money was temporary. 

Announced this February, the 2026-27 budget projection cuts $192 million from the public broadcaster.

The Prime Minister, who promised the $150 million in his April 2025 election platform as a downpayment on a larger funding increase, also told voters on the campaign trail that that in addition to the $150 million “we expect that in the coming years, we will continue to increase that funding until it can be compared to that provided by other public broadcasters.” (On budget day November 4, 2025 a carefully worded press release avoided the characterization of either a temporary or permanent increase).

And while Canadians might have taken the Prime Minister and the Finance minister at their word, it seems the CBC president knew otherwise. “We knew it was temporary.”

A follow up question from the Bloc’s Champoux, a former journalist, might have been “when did you know it was temporary?” And who told you?

But the question never came. Conservative MP Bernard Généreux followed up, but only to rib Bouchard over the Liberal budget cut and how perhaps the CBC had more to fear from the government than would-be CBC defunder Pierre Poilievre.

Liberal backbencher Bienvenu-Olivier Ntumba then asked Bouchard about the impact of parliamentary cuts on Radio-Canada. The CBC president replied that some staffing resources shared equally between French and English language services would be affected if cuts were “significant.” 

The government’s main budget estimates have scheduled a $192 million cut to the CBC budget, representing the repeal of the $150 million increase from the 2025 budget. An earlier $42 million boost under the Trudeau government in 2024, renewed in the 2025 parliamentary grant, was also repealed for 2026-27. 

Heritage minister Marc Miller appears before the committee on May 5th (update: now rescheduled to May 7th).

***

In our last MediaPolicy post, we reported on the stale news — I was on vacation, okay? — that the CRTC had reversed itself and agreed to provide a three cents per subscriber increase to the parliamentary news service CPAC.

Minutes before or after I hit the publish button on that post, CPAC CEO Christa Dickenson announced the termination of CPAC’s evening news show. The $2.8 million boost to her $13 million budget from the CRTC rate increase wasn’t enough to stabilize finances, according to Dickenson. The cancellation of the show meant 12 staff layoffs, including show host Michael Serapio.

An online hue and cry followed in response to the CPAC announcement and Heritage minister Marc Miller joined in with a tweet suggesting that the CRTC’s delay in implementing the Online Streaming Act was to blame:

As I retweeted at the time, oh my.

By linking the CPAC layoffs to a live CRTC file dealing with requests to deliver financial relief to “services of exceptional importance,” the minister seemed to be saying that the independent regulator ought to giddy up and deliver it to CPAC.

That special funding was requested by CPAC on July 2, 2025, citing its services of exceptional importance including the now eliminated evening shows, and is still under consideration by the Commission.

Miller’s impatience with the languid pace of CRTC decision making on implementation of the Online Streaming Act is shared widely, for good reason. But now the Commission’s eventual decision on funding services of exceptional importance will either be a yes (submitting to its minister) or no (defying its minister). 

A footnote to this story: on the same day that Miller was tweeting about CPAC, the CRTC followed up its increase to CPAC’s subscriber rate with a two cent increase for TV5, the French language news service. 

CPAC’s Dickenson appears before the Heritage committee this coming Tuesday, April 28th.

***

One of the better kept secrets in minister Miller’s thoughts is what he has in mind by appointing a special advisory committee on the future of Canada’s audio visual industry.

The ministerial appointments are mostly not the usual suspects and stakeholders, bending instead towards active industry executives, producers and investors.

The committee’s mission is framed by the minister in high level language: 

The Government of Canada is reviewing how it supports the audiovisual sector. The current framework for federal audiovisual support was built for a different era and needs to evolve so Canadian stories can thrive, both at home and globally. The goal is to make sure that federal support remains effective, efficient and transparent, and that it can support the full spectrum of Canadian voices and stories. The work includes reviewing audiovisual policy and institutions.

Parsing that brief statement, change is certainly in the wind, but what? Presumably, committee members asked the Minister for something more detailed when they were recruited. It’s a good bet they aren’t signing on for a mere reorganization of government departments Telefilm, CAVCO, the National Film Board or the Canada Media Fund.

The CanCon-funding Canada Media Fund immediately expressed support for the minister’s “modernization” agenda. This suggested that the CMF, jointly governed and funded by the federal government and Canadian cable companies, knows what that agenda is. Asked for comment on its understanding of what in Miller’s agenda it is endorsing, the CMF replied “the CMF shares the Minister’s view that the current framework was built for a different era and needs to evolve.”

The rest of us, we’re on a need to know basis.

In the absence of more information, it is reasonable to speculate that the Liberals are going to re-launch something like the dead-ended 2016-17 federal policy review conducted by Heritage minister Melanie Joly that dismissed pleas for what became the Online Streaming Act in 2023 and instead called for more government support of exported Canadian content and a Canadian spending commitment from Netflix.

If you want to get a flavour of what an export strategy might look like, I recommend Ken Whyte’s latest Substack post which admires how Korea has remodelled its cultural production policies since the 1990s. (Coincidentally, Whyte served on Melanie Joly’s advisory committee in 2017). 

***

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This blog post is copyrighted by Howard Law, all rights reserved. 2026.

Catching up on MediaPolicy – Liberal majority means business for Heritage MPs – Rebel News is back on the policy menu – Buddy cops are back

April 18, 2026

The new Liberal majority in the House of Commons puts the Carney government in command of Parliamentary committees, including Canadian Heritage.

That clears the path for the Carney government to bring forward its much (much) awaited online safety bill. It also green lights a bill to implement the Liberal election platform on the CBC: changes to the public broadcaster’s governance and the establishment of long term funding that is insulated from the federal budget cycle. 

The Liberals have not enjoyed majority control of House committees since prior to the 2019 general election. Their signature media legislation in the 2023 Online Streaming Act and the Online News Act of the same year needed support from the Bloc and the NDP to overcome Conservative filibusters in committee.

The lack of a committee majority also plays out in the cultural war prosecuted by the opposition Conservatives, especially against the CBC.

Only this fall, the Conservatives got their wish to turn the Heritage committee into a forum to fuel an attack on the CBC, with the Travis Dhanraj controversy as its fodder. 

Without control of the committee, the Liberals had to compromise by agreeing to a series of new committee hearings on “the state of the journalism and media sectors,” less than a year after the committee completed a report on “The Holding of a National Forum on the Media.”

The new hearings offer an oddly bifurcated narrative that features the Conservatives inviting witnesses to disparage the CBC or allege bias in mainstream media while the Liberals summon a string of private news organizations eager to endorse existing federal subsidies or advocate for more of them. 

In other words, the committee has been stuck in performative gear instead of legislative mode.

One of the legislative issues that we can expect to hear more of, possibly packaged into an online safety bill, is Senate Bill S-209 which just passed Third Reading in the upper chamber. It now goes to the House of Commons, provided it is sponsored by an Opposition or government MP.

Previously covered by MediaPolicy, S-209 would ban underage access to online pornography through the implementation of age estimation technology. While porn sites are clearly targeted, the bill also authorizes a government regulator to scope in social media apps such as Elon Musk’s X where children can access pornography for free.

This policy furrow has already been ploughed by legislation in the UK, Europe and 25 American states. In addition, many countries have imposed outright social media bans.

The recent Liberal Party policy convention voted for a total ban on underage access to social media and Heritage minister Marc Miller was quoted by Canadian Press as saying he was taking the proposal “very seriously.”

The sponsor of S-209, Senator Julie Miville-Dechêne, told MediaPolicy that she was gratified her bill passed the Senate unanimously in a voice vote, her third try over five years and three parliamentary sessions. 

When she first tabled the bill in 2020, age estimation technology was in its infancy and its development since then —and implementation in other countries—  has dulled the edge of privacy concerns expressed by critics. 

Miville-Dechêne said that support from parents and grandparents kept her going and described S-209 as a “magnificent victory” for child safety. 

Her previous bill in the last Justin Trudeau parliament also passed Third Reading in the Senate in 2024 and had support in the House from opposition parties as well as, according to Miville-Dechêne, a significant number of Liberal MPs. But the bill faced the implacable opposition of the Trudeau PMO. 

This time will be different for S-209, she said, and she would be happy to see the House either take up the bill or for the government to fold it into its own online safety bill. 

***

If things get boring in media policy, there’s always the chance that Rebel News will make it less so.

In December 2025 the CRTC published its letter to Rebel News explaining that the Commission could not entertain Rebel’s application filed in August 2025 asking for a share of Google’s $100 million in mandatory licensing payments under the Online News Act. The role of gatekeeping the fund is assigned by cabinet regulation to the news consortium chosen by Google to distribute the cash, the Canadian Journalism Collective.

The CJC confirmed to MediaPolicy that in spite of the CRTC ruling Rebel News has not asked them for recognition or money, raising the inference that Rebel was more interested in being denied by the CRTC than the Google cash itself.

Rebel also applied for federal journalism labour tax credits in 2021 but was denied by the CRA’s independent committee on a number of grounds, both with respect to its lack of original news reporting and its not meeting recognized standards of fair reporting. A federal judge upheld the CRA committee.

Most recently, the Quebec Press Council threw out a public complaint against Rebel and its controversial Quebec reporter Alexandra Lavoie on the grounds that Rebel is not a really a news organization.

The Conseil panel ruled that Rebel’s true identity is a political action group, not an independent news organization, evidenced by its registration as a federal lobbyist and with Elections Canada as a third party political action group seeking to “influence” elections.

The Conseil’s written decision includes a gratuitous aside about Rebel News being “an activist organization with ties to far-right circles,” however the key passage takes a “pith and substance” approach to characterizing Rebel:

Although it does not describe itself as an activist organization, the entity itself promotes its activist side, as demonstrated by its purported “Code of Journalistic Ethics and Professional Conduct,” which states: “We may launch crowdfunding campaigns, letter-writing campaigns, or petitions to support people affected by the events we cover.”  This has nothing to do with journalism.

By advocating for its political and ideological interests, Rebel News cannot cover the news independently and thus cannot offer its readers and listeners an accurate picture of reality. Its contributors, whom Rebel News calls “journalists,” are therefore not working in the public interest, but rather in the interest of its political causes.

The Rebel News platform cannot be considered a news outlet as defined by the Quebec Press Council, since it is not a publication of a “journalistic nature.”

The Conseil is a self governing assembly that has no coercive powers over news organizations but unlike the English-Canadian National News Council the Conseil accepts public complaints about news organizations that don’t belong to it or pay dues, such as Rebel News

***

On May 7th, the Raptors may still be in the NBA playoffs and the Blue Jays may be back over .500.

But what MediaPolicy is holding its breath over is the reprise of Bon Cop, Bad Cop on Bell Crave. 

The franchise has already produced two dramedy cop buddy movies that feature cheeky bilingual repartée and good humoured riffs on the cultural stereotypes of French and English Canadians. 

***

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This blog post is copyrighted by Howard Law, all rights reserved. 2026.

Catching Up on MediaPolicy – Being Galen Weston – California budget cuts – Liberal culture cuts, revisited

April 4, 2026

In case you missed it, last week I posted something I have been needing to get out of my system for a while, a counter-rant against the false labelling of mainstream media (whatever that is) and Canadian journalists as “left-wing.

***

There’s more mainstream media on the way, left wing or not.

The Weston family’s foray into non-profit news journalism, Be Giant, launched April 1st.

The Editor in Chief is veteran journalist Alison Uncles, commanding an initial newsroom complement of ten and a new magnet for freelance pitches.

Uncles describes the editorial mission as solutions-based and innovation-focussed news coverage: the branding is Canada’s potential to “Be Giant.”

The long-form journalism feels best suited to weekend readers and magazine lovers.

You can sign up for their weekend e-mail distribution: the business model is ad-free and subscription-free. In short, it’s 100% billionaire backed.

At first glance, Be Giant’s news genres put it in competition with the Globe & Mail and The Logic, but the solutions based mission means that smaller outlets like The Tyee, The Discourse and The Narwhal are going to face more competition for the best in Canadian freelance journalism. 

With more than 20% (i.e. 100%) of its philanthropic funding coming from the Loblaw-owning Westons, the non-profit Be Giant will not be able to issue tax receipts should it start accepting donations from readers or foundations.

One thing seems likely: Be Giant will not lack for investment capital. 

***

Public financing of news journalism, public or private, does not exist at the federal level in the United States.

At the state level however, five Blue states representing almost a quarter of the national population have significant subsidies for local news. The biggest state (with the least significant subsidies) is California.

Perhaps not for long. Governor Gavin Newsom’s final budget proposal for 2026-27 (he terms out in December) eliminates the state’s $10M support to local news. The state contribution is the condition of Google’s matching $10M support.

Not discouraged, state assembly Democrats have tabled a bigger subsidy for inclusion in the budget.

***

On the other hand, Newsom isn’t backing off the state’s recent doubling of the state’s 35% subsidies for film and television production, expanded from an annual $330M USD to $750M.

According to the Hollywood Reporter, the grinding down of the Californian film and television industry continues as Hollywood sheds jobs, labour hours and its share of  both US and global production.

With the next, and pre-midterm, federal budget cycle approaching, Hollywood is agitating for a federal production subsidy to match its own state subsidy. Unlike Canada, the US does not offer federal subsidies. (Canada’s combined federal-Ontario labour subsidy is about 35% for US productions, higher for Canadian content).

Over the last decade, the US has lost market share of video production and the main winners have been Canada and the United Kingdom that offer competitive subsidies and a supply chain of world-class production clusters that Hollywood producers have integrated into their business models.

graphic from the Hollywood Reporter

Months ago, President Trump touted slapping tariffs on movies shot abroad for the US market, paid for by Hollywood studios. This is not what Hollywood studios want: they want federal subsidies. The analogy to continental auto manufacturing seems apt.

The story in the Hollywood Reporter notes that David Ellison’s Paramount, the winner of the Warner Brothers merger sweepstakes, has committed to producing at least 30 movies annually to fend off anti-trust objections. That opens up a scenario in which the Trump FCC ties the location of shooting to the merger approval, a move that would impact the UK more than Canada. 

***

Two weeks ago MediaPolicy pointed out some big Liberal cuts to cultural funding in the Parliamentary budget process, the “Main Estimates” for 2026-27.

Impacting News:

  • CBC: elimination of $192M from the $1.454 billion parliamentary grant;
  • Canadian Periodical Fund: cut $13M from the $86M budget with a further $14M cut in 2028/29;
  • TV5: cut $2M from the $13M budget.

Impacting Culture:

(The latter two media funds are co-funded by government, broadcasters and streamers). 

My sources suggested that the cuts to the CBC and the Canada Media Fund might not end up being so dire. Possibly, some of the funding might be resurrected in a later, Supplementary Estimate, at a time of the government’s choosing.

Well, I wanted to know more before I cast my ballot at the advance poll this weekend in Toronto’s University-Rosedale by-election.

I e-mailed Canadian Heritage and asked what the story was. I found the answer less than 100% clear, but here is the information I got:

The Heritage spokesperson described the absence in the Main Estimates of the Liberals’ much touted $150M increase to the CBC in the last budget as a consequence of the new money being part of last year’s Supplementary Estimate (which just got Senate approval two weeks ago) and therefore not rolled into the 26-27 Main Estimate. 

Moreover, the spokesperson said categorically the missing $150M is not part of the budget cutting under the government’s three-year Comprehensive Budget Review.

Bottom line: without promising the $150M is coming back, it seems likely it will.

But that leaves the fate of the remaining $42M cut to the CBC grant unclear. That $42M figure reflects the extra funding that the Trudeau government pumped into the CBC in 2024 as a response to falling revenues and mass layoffs announced by the CBC. Nothing in Heritage’s answer to my email clarified whether that money is coming back.

Heritage didn’t respond to my question about cuts to the other media funds, including whether the budget reductions were impacting civil servants or program subsidies.

The Canada Media Fund, which pumps extra subsidy cash into Canadian TV dramas, documentaries, and children’s programming, has been limping along on the same $135M base funding from the federal government since 2011.

In 2017, Heritage minister Melanie Joly committed to an annual supplement of $42M to neutralize the falling contributions to the Fund from the declining cable TV companies. Last year, the government publicly committed to extending that supplement for three more years. 

The $42M supplement has never been part of the CMF’s base funding that shows up in the Main Estimates. So probably it’s coming back and/or the government is going to claw it back once the streamer contributions to the Fund begin. 

On the other hand, about $20M in time-limited DEI funding for CMF-supported programming just expired and by the end of this budget year the remaining $5M will stop. 

Final CMF budget cut: unknown.

The rest of the Heritage cuts are part of the comprehensive expenditure review and they are real. According to Heritage: “Reflected in the 2026-27 Main Estimates are planned spending reductions. Incremental reductions in 2027-28 and in 2028-29 will be reflected in future Main Estimates for those respective years.”

***

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This blog post is copyrighted by Howard Law, all rights reserved. 2026.

“The Left Wing Mainstream Media,” and other acts of magic.

April 2, 2026

If there is one thing that sets my teeth on edge these days it’s the phrase “the left-wing mainstream media.”

I hear it from right-wing voices, both those I respect and those I don’t.

It’s as if the centre just fell out public life and disappeared with the wave of a magic wand. It suggests a world that does not exist.

Is it possible to move a discussion of newsroom culture, values and that hackneyed B-word, “bias,” from the realm of opinion to numbers?

Well buried in a recent scholarly article about harassment of US journalists is some supporting demographic data collected from nearly 15,000 journalists. 

In 2022, US journalists expressed their “partisanship” (how they voted or were registered to vote) as:

  • Independent – 51%
  • Democrat – 35.4%
  • Republican – 3.4%
  • No Preference – 10.2%

The Republican numbers kind of pop out, don’t they? 

A generation ago the Republican-leaning cohort among journalists was closer to 20%. It began to change quickly during the oughts, so this is not about Trump. Some would argue it’s about changing newsroom hiring preferences (in favour of college grads) but I’m not sure that’s true and I suggest we don’t step into that rabbit hole just now.

My point is that the voting preferences are a reasonable proxy for “left, centre and right” wing values among journalists. In the US, it’s decidedly centre-left within the prevailing spectrum of political values.

What about in Canada?

An in-depth study of Canadian journalists’ self-perception of their occupational role was published in 2019 with data collected between 2014 and 2016 and correlated to an ongoing global study. 

The Canadian response rate of 342 (out of potentially 12,000 journalists) was not ideal, but you can’t blame the study authors for that.

Above all, the study demonstrates that Canadian journalists cleave to the dryly described “monitorial” role (I call it the “watchdog ideology”):

  • Be a detached observer
  • Report things as they are
  • Monitor and scrutinize politics and business
  • Provide analysis of current affairs
  • Tell stories about the world
  • Educate the audience.

They identified less with “the interventionist journalist role,” although they were dead-centre in the agree/disagree spectrum over “advocating for social change.” 

They tended to be in stronger agreement with an assigned role for journalists to “promote tolerance and cultural diversity.”

As for “political stance” of these Canadian journalists, on a scale of 1 (Left) to 10 (Right) the mean average of self-identification was 4.22. Narrowly, centre-left. The authors noted that “60.5% of journalists who stated their political stance identified themselves in the centre-most range of 4, 5 and 6.”

If you insist upon data of their voting preferences, and why not, the data came back this way, covering the 2011 and 2015 federal elections:

  • Liberals – 27.1%
  • NDP – 23.7%
  • Conservatives – 13.5%
  • Bloc, Green, other – 13.5%
  • Did not vote – 4.8%

(And 22% of those surveyed ignored this question).

The actual outcome in the 2015 election was Liberals (39%), Conservatives (32%), NDP (20%), Bloc (4.7%) and Green (3.4%), numbers that are relevant to sketching out our own Canadian political spectrum of “left to right.”

Altogether, I read these numbers supporting the notion that the Canadian cohort of journalists is centre-left, although how much “left” is a little hard to say.

Now we’ve settled that, the next step is a discussion about how well Canadian journalists, hailing from various places on the political spectrum, practice the professional detachment of journalism; an imperfect but essential pursuit of The Truth. 

***

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Catching Up on MediaPolicy – The Dhanraj Show – Go away Paul Wells, you’re not a journalist – The OpenAI problem – Grand Theft Anna

March 14, 2026

Last September MPs on the Parliamentary Heritage committee (CHPC) voted unanimously to hold hearings on “the state of Canadian journalism.”

This happened after, or perhaps because, the Conservatives called for a Parliamentary inquiry into the dramatic departure of Canada Tonight host Travis Dhanraj from CBC Radio-Canada. At the time, MediaPolicy wrote about that dispute here, here and here.

On Tuesday, the curtain was drawn back for the first of five days of CHPC hearings and as the opening guest Dhanraj told his story. For a detached review of the blow by blow, here is Karyn Pugliese’s Substack post.

Dhanraj’s narrative is (a) the CBC is a toxic workplace that management tolerates, (b) he was tokenized as a brown skinned journalist and rebuffed in efforts to make his evening show more edgy and interesting, and (c) he was on the short end of a power struggle with the Rosemary Barton of the National and David Cochrane of Power & Politics, preventing him from booking Conservative MPs on his show.

The side of the story he doesn’t tell is CBC’s management view that so long as the CPC was boycotting those two flagship news shows, they weren’t getting on Canada Tonight. Bruce Arthur’s column in the Toronto Star delves into this. So far, the CBC isn’t saying much and is keeping its litigation powder dry (Dhanraj has filed a human rights complaint).

A thread pulled on during the hearing is a list of 45 “do not book” guests that Dhanraj says he got from CBC management. Depending on what the list is for, and who is on it, there could be fireworks.

It’s fair to say that CPC Heritage critic Rachael Thomas is getting as much mileage out of the Dhanraj affair as possible and going after the CBC with gusto. Dhanraj, whose lawyer Kathryn Marshall is well connected in Conservative circles (she’s married to CPC insider Hamish Marshall), says he’s not bearding for the Conservatives. 

MP Thomas is building on a theme over the five days of hearings by calling witnesses such as Honest Reporting (critical of CBC reporting on Gaza and an on-air anti-Semitic rant by Radio-Canada’s Washington corro) and inviting the Canadian Ethnic Media Association to amplify its dissatisfaction with the CBC’s reporting on mass protests in Canada against the Iranian government. 

Still to come, compulsory Committee appearances by both the Heritage Minister Marc Miller and CBC CEO Marie-Philippe Bouchard. 

***

That pesky issue of defining a journalist never goes away.

Last week Blacklock’s Reporter broke a story, picked up on by The Hub, of communication staff in two federal government departments appearing to require reporters seeking information or comment to be employed by news businesses certified by the Canada Revenue Agency as a Qualified Canadian Journalism Organization. The purpose of QCJO certification is to vet news outlets for labour tax credits, i.e. subsidizing 35% of journalist salaries.

I say “appear” to require QCJO certification, because the federal websites for Immigration and Global Affairs said comms staff would only speak to journalists employed by news organizations that are QCJO certified or abide by “similar” standards of journalism.

“Similar” is an important caveat. The key standards of QCJO certification are first hand reporting (“original news’) and adherence to an editorial code of accountability: picking up on those rules, the private journalism consortium that disburses $100M in Google news money every year under the Online News Act also requires news outlets to meet standards of news gathering and editorial accountability. Hence, the departmental caveat “similar to.”

Still, the federal department websites repeatedly refer to “QCJO” and quote word for word from the QCJO tax guidance on original news reporting and other program red lines. And when this happens in two different federal departments, you have to wonder about the group think behind it.

Of course two federal bureaucrats can get the same thing wrong at the same time out of ignorance: for example, maybe the light didn’t go on that the QCJO program is not available to thousands of broadcast journalists, freelancers, or reporters employed by magazines and community weeklies. It seems doubtful the government departments won’t talk to CTV, Global, TVA or CBC Radio-Canada reporters.

It gets worse. The QCJO rules quoted by the two departments reiterate the “two employed journalist” threshold that sets a minimum size of a newsroom that is eligible for QCJO subsidies. Following such a rule, it appears the departments won’t speak to any freelance journalists, no matter who they are. Paul Wells and Linda McQuaig need not apply.

Who defines a journalist anyway? Canadian journalists are not government regulated, nor self governing except to the extent that their news organizations voluntarily participate in Press Councils or the Press Galleries in Ottawa and provincial capitals.

Even then, the peskiness of hair-splitting definitions arises. Recently in Washington state, a federal judge upheld the legislature’s exclusion of three right-wing media personalities from enjoying the full run of the state building granted to professional journalists on the grounds that their primary identity was in the role of political actors.

In Canada, the Supreme Court already acknowledges the unregulated status of journalists by expanding the libel defense of “responsible communication” to include anyone, not just professional journalists. 

On the other hand, in 2017 Parliament needed a legal definition of a journalist in order to create a whistleblower law that shields confidential sources. Under that statute, a journalist is defined as “a person whose main occupation is to contribute directly, either regularly or occasionally, for consideration, to the collection, writing or production of information for dissemination by the media.”

It took a few days, but Immigration reacted to the bad publicity and the intervention of the Canadian Association of Journalists. It says it’s reviewing its definition of journalist.

***

The tragic role that OpenAI played in the Tumbler Ridge mass school shooting, by flagging but not reporting the killer’s homicidal ideation, has policy experts thinking hard about what kind of regulation we need to see in an online harms bill.

Taylor Owen has an important LinkedIn post, worth the two minutes of reading time. Here’s an excerpt:

Here’s the thing that doesn’t get said enough: your conversations with ChatGPT or Claude or Grok are not private. Employees, and AI, can read what you type. OpenAI is about to start selling ads against those interactions. While, the product is designed to feel intimate, simulating patience, attentiveness, understanding, it is ultimately a content serving product. But it is a product that many open up to in ways they would to a person. It is a psychological bait and switch that capitalizes on a disconnect in norms. But because we have an illusion of privacy with these products, mandatory reporting to law enforcement, if not designed carefully, risks layering a surveillance obligation on top of what is already, fundamentally, a surveillance product.

What could actually help? I have been arguing for a Digital Safety Commission with real enforcement powers, mandatory risk assessments, transparency over safety protocols and age-appropriate design standards. Upstream regulation that changes how these products are built, not downstream surveillance that monitors how people use them.

If I understand Professor Owen correctly, he thinks that if AI and tech companies are compelled to adopt robust and transparent safety design of what their bots will give advice on, the less we will have to worry about the surveillance and reporting of private activity on the web.

***

Because I have decided your weekend reading list is still incomplete, if you care about books you must read yesterday’s Substack post from Sutherland Books publisher Ken Whyte. It’s about book publishers’ court challenge to the industrial-scale theft of copyrighted content by Anna’s Archive, an unauthorized aggregator of digital content.

***

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This blog post is copyrighted by Howard Law, all rights reserved. 2026.

Catching up on MediaPolicy – “we the people:” influencers, activists and journalists – is this microdrama’s punk rock moment ?

February 22, 2026

Prior to last year’s federal election campaign, a cadre of protesters gathered on my block in a highly successful effort to disrupt Chrystia Freeland’s nomination meeting. The image that stuck in my mind was the young man in the thick of it who was wearing a “Press” ball cap.  

I was reminded of that last week when reading Stephanie Taylor’s analysis and profile in the National Post of three high-profile conservative “influencers”: ‘The Pleb Reporter’ (Nick Belanger), Mario Zelaya, and Jasmin Laine. The Post article charts their informal relationships with Pierre Poilievre’s campaign team and their own ambitions.

At the most recent Conservative convention in Calgary, the Party granted influencers “content creator” status, waiving the $1000 observer fee and putting them on par (or with better access) than mainstream media journalists covering the same event.

The right wing influencers —-don’t worry, they have plenty of counterparts across the partisan aisle—- offer no apologies for their boostership of Poilievre or the CPC. They’ll point to their likes and ‘Ks of followers.

If you got it, flaunt it.

What sometimes galls the old schoolers is when influencers and activist reporters mooch off of the credibility and trust of capital-J journalism, hard earned by thousands of serious journalists over decades.

Or perhaps it’s the nihilism that’s most disturbing: “everyone lies, mine are true if they get lots of clicks.”

It’s discouraging of course, but journalism is a profession (or a craft, or a vocation, whatever) that holds no entrance examinations. 

On this point, I commend a second piece of reading to you —Peter Klein’s op-ed in the weekend Globe & Mail—-that probes these questions. He begins with the well known case of award-winning photographer Amber Bracken being arrested by the RCMP for her presence (or extra-professional participation, according to the cops) in an injunction-defying land protest. 

Then Klein observes that “today as a journalism professor, I’ve watched a generational shift: More students arrive without a clear sense of where reporting ends and advocacy begins, and some have no interest in drawing that line.”

If you meet or listen to journalists from war torn countries or despotic regimes, you will often hear a clear message: ‘we are for the people, we are of the people.’ You would be pitiless to deny them.

Here in a liberal democracy, there are also those who reject journalistic detachment and take sides, convinced of their moral certainty. 

There is a line, says Klein, but the question is where and who gets to decide. The contempt charges against photojournalist Bracken (for allegedly violating the court’s injunction) were dropped, but she is suing the RCMP for damages. Legal arguments are scheduled for April. 

***

If there’s a buzz in the world of entertainment programming, it’s the rise of short-form video and micro-dramas, often shot in portrait mode for better “vertical” viewing on phones.

Platformed by YouTube and newly powered by AI tools, short form is changing video production before our eyes.

It’s disruptive. But is it premium entertainment?

Premium, schmemium. As media guru Doug Shapiro likes to say about this phenomenon, quality is what the audience consumes.

How viral will short-form go? Is it just a punk rock wave of a new entertainment niche or is it something bigger?

The other guru Shapiro, Evan, just posted this:

***

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This blog post is copyrighted by Howard Law, all rights reserved. 2026.

Catching up on MediaPolicy – Europe indicts TikTok – Age verification bill S-209 clears Senate committee – Bezos and the WAPO layoffs – CPC frenzy over “the Canadian media summit”

February 8, 2026

The European Commission has fired a shot across the bow of TikTok, and by implication other social media, by finding the social media giant culpable of addictive algorithm design and inadequate safety measures.

The Commission explained its  preliminary ruling, which TikTok can either appeal or fix, as follows:

TikTok seems to fail to implement reasonable, proportionate and effective measures to mitigate risks stemming from its addictive design.

For example, the current measures on TikTok, particularly the screentime management tools and parental control tools, do not seem to effectively reduce the risks stemming from TikTok’s addictive design. The time management tools do not seem to be effective in enabling users to reduce and control their use of TikTok because they are easy to dismiss and introduce limited friction. Similarly, parental controls may not be effective because they require additional time and skills from parents to introduce the controls.

At this stage, the Commission considers that TikTok needs to change the basic design of its service. For instance, by disabling key addictive features such as ‘infinite scroll’ over time, implementing effective ‘screen time breaks’, including during the night, and adapting its recommender system.

The EU finding is made against the Chinese-owned app in the European market, not the American-owned TikTok across the Atlantic. But it will heat up the tension between the US and the EU over the regulation of online harms impacting US-owned apps operating in Europe.

The momentum of regulatory intervention around the globe picked up more steam when Spain indicated its intention to follow Australia and France in banning underage social media accounts. 

As for Canada, Heritage Minister Marc Miller isn’t saying yet if a ban on underage access is part of the online harms bill he is preparing.

Last Monday, the influential Taylor Owen and his McGill colleague Helen Hayes called for a moratorium on underage access to social media while online harms legislation gets tabled, works its way through Parliament, and gets implemented.

Judging from Canada’s last two pieces of media legislation, the Online Streaming Act and the Online News Act, the length of the entire process might be measured in years.

What might advance the timetable at the front end is Senate Bill S-209 that would require age verification for porn sites and possibly any social media site that permits porn. The bill passed committee last week and will likely get approved by the full Senate in the next few weeks, putting the governing Liberals on the spot.

Last week Senatrice Julie Miville-Dechêne, the bill’s sponsor, obtained committee approval for a series of technical amendments as well as a change that defined porn more narrowly to get at “X-rated” content and scope out the nudity and implied sexual activity common in mainstream drama. The new definition requires the exhibition of explicit sexual activity and exposed genitalia for the purpose of sexual excitement.

As drafted, S-209 still leaves the decision on whether to scope in porn-permissive social media apps to the federal government, either in a House vote on the bill or afterwards. 

***

Last weekend MediaPolicy noted the diverging fortunes of the New York Times and the Washington Post with the Times getting the Trump-bump in digital views and the Post sagging in the other direction. 

Then on Tuesday the Washington Post announced a breathtaking round of newsroom layoffs, 300 of 800 staff. By Saturday, publisher Will Lewis had resigned.

The public reaction was what you might expect: a mix of shock and anger. Former Post Editor-in-Chief Marty Baron posted his condemnation of the layoffs and put at least part of the blame on multi-billionaire proprietor Jeff Bezos’ decision to ingratiate himself to Donald Trump. That included Bezos killing a planned editorial board endorsement of Kamala Harris’ presidential candidacy, which reputedly cost the Post 200,000 subscriptions, as well as vocal support for Trump’s demolition of the White House east wing and making a donation to the ballroom project to be built on its foundations. Recently, Bezos’ Amazon Prime reputedly overpaid the Trump family for the streaming rights to the documentary Melania.

Then American anti-monopoly advocate Matt Stoller published a long Substack post where he suggested that Bezos bought the Post in 2013 as political insurance against the Obama administration taking anti-trust action against his Amazon e-commerce business. The insurance policy, Stoller suggested, has become unnecessary or overpriced as Bezos literally put his money on Trump. 

One piece of context is that while the Post’s declining audience numbers may be attributable to anti-Trump readers voting with their feet, the conservative and pro-Trump Wall Street Journal is experiencing the same decline, although not as steep as the Post.

There were also layoffs in Canadian journalism, suitably smaller in number. Bell Media CTV laid off 60, including 11 television journalists. 

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The gong show otherwise known as the right-wing frenzy over mainstream media went viral last week when a video clip surfaced of Reynolds Mastin publicly thanking Prime Minister Mark Carney for “having our backs” and gushing that “we have your back too.” 

There it was, proof of the blood pact between the federal Liberal Party and the mainstream news media.

But who the heck is Reynolds Mastin?

Mastin is the President of the Canadian Media Producers Association (CMPA), the industry group representing independent Canadian production companies that make entertainment programming. He was chairing the CMPA’s annual Prime Time conference in Ottawa when he made the remarks.

Readers may know, Mastin is not a journalist and he (and the CMPA) has nothing to do with news journalism. He was encouraging Carney to resist American trade pressure on the Online Streaming Act which requires US streamers to contribute to the Canada Media Fund.

Independent movie and television producers draw CanCon subsidies from the Canada Media Fund to make dramas and comedies. The CMF doesn’t spend a dime on news, although some make the mistake of thinking it does.

Nevertheless, the timing was was perfect for frenzy: the Conservative Party was in the midst of its annual convention in Calgary.

Here is Conservative Heritage critic Rachael Thomas MP describing “the Canadian media summit” as a news journalism event:

Thomas’ falsehoods then found their way into Conservative fund raising e-mails.

At that point, some conservative pundits urged Conservatives to do a fact check. The managing editor of The Hub, Harrison Lowman, was as brave as he was blunt:

Now speaking of Mr. Lowman and The Hub, I can recommend an excellent podcast he did in January with ex-New York Times editorial page editor James Bennet. 

In June 2020, Bennet (whose brother is a Democratic Senator) cleared for publication an opinion column from Republican Senator Tom Cotton arguing that Donald Trump ought to deploy the military if necessary to deal with rioting and looting that flared in the aftermath of the police murder of George Floyd. 

Bennet’s employment did not survive the newsroom uprising that followed. 

A similar newsroom conflagration occurred the same month at Canada’s National Post when columnist Rex Murphy opined that Canada “is not a racist country.” 

In any event, I found myself gripped by the full 35 minutes of Lowman’s interview of Bennet and you may find it worth the time as well.

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This blog post is copyrighted by Howard Law, all rights reserved. 2026.